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PRODUCTION ANECDOTES
BREAK-INS and INSURANCE
The possibility of making a movie had its seeds in a cold
rainy night before Christmas 2002, when burglars broke into Nicholas
Anthony's home and stole his camcorder. It took
several months for insurance money to materialize but when it
did, the amount seemed enough to allow Nicholas Anthony
and collaborator Mr. Dave Brown to dream of making a no-budget feature
film. One day, without any intention of writing an action-adventure
screenplay, they met at their usual deserted Silverlake coffee spot
TSUNAMI (home of the best Jalapeno Tuna Melt in the Hollywood), and
after a few cups of particularly strong cafe mocha, the ideas for an anti-war
political-action satire started coming together in an unstoppable
and almost-violent flow. It was only after hearing a colossal BOOM
and the showering of glass coming from just outside the place that
they took a break – looking out to discover that both their
parked-cars had been smashed by a reckless driver. And many months
later, after another lengthy wait, another insurance settlement came
through – this time enabling them to complete the editing of
the film.
BOOKS INTO FILM
Since graduating from AFI in 2000, Tony has been supporting his
film career by running a business selling rare books, vintage paperbacks
and pulp fiction, on ebay. It was after spending a dusty book-scouting
afternoon (with accomplished actor/producer Grand L. Bush, going
through his Bush’s late-father’s book collection), that
Nicholas Anthony first decided to move on a plan to make a no-budget
film – perhaps with Grand Bush as the leading man. When the
project came together as WEAPON OF MASS DESTRUCTION, Nicholas Anthony
and Mr. Dave Brown felt it was “meant to be” when they
envisioned taking the film to Cannes with a poster that read:
Grand L. BUSH IS
THE WEAPON OF
MASS DESTRUCTION!
Unfortunately, Grand Bush declined the part
due to prior commitments and Nicholas Anthony and Dave plunged into
several weeks of intense Backstage-West auditioning, eventually
discovering their real leading man, accomplished LA theater veteran
and star of several national commercials, Michael Massengale.
Along with casting, Nicholas and Mr. Dave were trying to gather
a small crew of multi-tasking creatives. The going was slow until
one day in the midst of casting; Nicholas Anthony paid a call on
a woman named Pamela Bazcuk who wanted him to appraise her late-father-in-law’s
book collection. Upon arriving at her apartment, Nicholas Anthony
mentioned he was working on a low-budget anti-war film and Pamela
in turn revealed that she was a wardrobe designer – and volunteered
to do wardrobe on WEAPON OF MASS DESTRUCTION. Little did she know
that she would be signing on as the third member of what was to
be a four-person production team. In the coming weeks, she would
provide costumes for a cast of sixty characters, decorate sets,
make breakfasts, act in the film, and have her living space converted
into the Baghdad International Airport.
THE FIRST ALL-EBAY MOVIE?
Since Nicholas Anthony’s paperback business is primarily conducted
on ebay, it was only natural that he turned to “the ‘bay”
when contemplating the purchase of equipment for the upcoming project.
After monitoring auctions for quality digital video cameras during
the week prior to shooting, Nicholas Anthony began placing bids
on a local equipment package that could be inspected in-person,
only to find himself “sniped” at the last minute and
left with no camera right up until the day before the shoot was
to commence. However, hope was not lost, and at last he found a
“Buy-It-Now” deal from a local seller nearby. The camera
proved a good value as it had been barely used. And of course, at
the end of the shoot, Nicholas Anthony immediately placed the camera
back on ebay to pay off the accumulation of food and incidental
bills run up during the month of production.
“NO FEELINGS WERE HARMED DURING THE MAKING OF THIS MOVIE”
An important lesson gleaned from working on “big-budget” films is the brusque lack of consideration
from the producers can often “bum out” the crew.
Tempers flair and feelings get hurt. This can
destroy any good creative spirit that should flower during film production -- no matter how low-budget. Thus,
one objective for Nicholas Anthony and Mr. Dave as producers was
to carefully choose the people involved so that everyone was
happy-as-heck to be on the project – despite no money. Furthermore, Nicholas Anthony and Mr. Dave Brown made all efforts
to feed and pamper the creators so that by the
end of the project, the final credits could proudly proclaim “No
personal feelings were harmed during the making of this motion picture.”
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