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PRODUCTION NOTES
WEAPON OF MASS DESTRUCTION is a prime example of no-budget filmmaking;
making up in spirit and creativity for whatever it may lack in “production
values.” The film was written in a fiery four days -- in the week following the Invasion of Iraq. It is an effort
to tell the story of the everyday American’s
experience of the build-up to the Iraq War. At that time, no mainstream
production company in America had the courage to confront the political
hot potato of the Iraq War and the White House policy surrounding
it, but the makers of WEAPON OF MASS DESTRUCTION, boldly exercised
their freedom of expression – speaking out with passion and irreverent humor in a grass-roots, home-style project.
WOMD was made for less than $18,000 with a crew of two people and
a cast of 60 actors and actresses. While the story takes place
in Los Angeles, the oil fields and marketplaces of Iraq, CIA headquarters
and the woods of Camp David -- the project was shot almost entirely
in a fifty foot radius of the director's kitchen – in his driveway,
backyard, garage, living room, bedroom, hallway and mini-van --
using large cardboard sheets harvested from area dumpsters to create
the sets. Indeed, it is perhaps the most elaborate home-video ever
attempted.
WEAPON OF MASS DESTRUCTION began pre-production
in May of 2003, casting a wide net among Los Angeles’ talented
pool of actors and actresses. Casting went on for over six weeks
and as July rolled around, the filmmakers were anxious to start
into production. What was to follow was 7 weeks of concentrated
filming – with breaks being called whenever cast members had
auditions or more lucrative work. Locations and sets were improvised
as needed. By the end of August, the project had shot over 40 hours
of digital video and it was time to begin editing. The picture was cut
in seven weeks and sound work began. A series of unhappy delays pushed the
completion of the project until Spring of 2004. But as of mid-summer, as the 2004 election heated up --
this WEAPON OF MASS DESTRUCTION was finally starting to be discovered! WOMD ran for four weeks of midnight shows in Los Angeles, went to festivals and even found its way to Japan and the former Soviet Union. Who
cares if the streets of Baghdad look like Los Angeles, Camp David
and the surrounding woods bear more than a slight resemblance to the scrubby hills
around Dodgers Stadium, or that the inside of the CIA plane that
flies Lincoln home shares interior design similarities with a Toyota
Mini-Van? With the tight control of the media these days, the no-budget
approach was the only way to get this politically “dangerous”
movie made.
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